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Pj Harvey Rid of Me Pj Harvey Fashion

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1993 studio album by PJ Harvey

Rid of Me
Rid of Me.jpg
Studio album by

PJ Harvey
Released iv May 1993
Recorded December 1992
Studio Pachyderm Studio, Cannon Falls, Minnesota
Genre
  • Alternative rock[1]
  • indie rock[2]
  • punk dejection[iii]
  • punk rock[4]
Length 48:02
Label Island
Producer Steve Albini
PJ Harvey chronology
Dry out
(1992) 		Rid of Me
(1993) 		4-Track Demos
(1993)
Singles from Rid of Me
  1. "50ft Queenie"
    Released: April 1993
  2. "Man-Size"
    Released: July 1993

Rid of Me is the second studio album past English singer-songwriter and musician PJ Harvey. Information technology was released by Island Records in May 1993, approximately 1 twelvemonth after the release of her critically acclaimed debut album Dry. It marked a deviation from Harvey's previous songwriting, being more than raw and aggressive than its predecessor.

The songs on Rid of Me were performed by Harvey'due south eponymous trio, consisting of Harvey on guitar and vocals, Rob Ellis on drums and background vocals, and Steve Vaughan on bass. Well-nigh of the songs on the album were recorded by Steve Albini, and it was the final anthology they recorded every bit a trio before disbanding in belatedly 1993. Rid of Me was met with critical acclaim, and has been ranked at number 153 on Rolling Stone 's 500 Greatest Albums of All Time (up from 406 on the listing'south previous edition).

Groundwork and history [edit]

Harvey's first two albums were recorded in quick succession and their histories intertwine. In Oct 1991, she released her debut unmarried "Dress". She signed with indie tape label Besides Pure and relocated to London with her bandmates. Almost immediately after the unmarried's release, she began to receive serious positive attention from music critics in both the UK and United States. This led to several major record labels vying to sign her. Harvey was initially reluctant to sign to a major label fearing she might lose creative control of her music, simply eventually decided to sign with Island Records in Feb 1992. A month later, As well Pure released her debut anthology Dry, containing both "Wearing apparel" and "Sheela-Na-Gig", her second single. Isle would afterwards distribute Dry under its Indigo imprint.

The band toured extensively in the UK and Us to support Dry out. Harvey turned down an offer to play the Lollapalooza festival in the summer of 1992,[5] but did play the Reading Festival that August. By this fourth dimension, not-stop touring had begun to accept its toll on Harvey's health. She suffered from what has been described as a nervous breakdown, brought on by a number of factors including exhaustion,[half-dozen] poor eating habits, and the break-upwards of a relationship.[7] [viii] Making matters worse, Central Saint Martins Higher of Fine art and Blueprint, where she had been accustomed for study, refused to hold her place for her any longer.[9] She left her London apartment and retreated to her native Dorset. While recuperating in Oct 1992, she worked on the songs that would appear on Rid of Me.

Music and lyrics [edit]

Structurally, Harvey continued to complicate her songwriting by utilizing "strangely skewed fourth dimension signatures and twisty song structures"[eleven] resulting in songs that "tilt toward performance art".[12]

The album's lyrics take been widely interpreted as beingness feminist in nature. Harvey, still, repeatedly denied a feminist agenda in her songwriting, stating "I don't even think of myself equally beingness female half the time. When I'chiliad writing songs I never write with gender in mind. I write most people'southward relationships to each other. I'g fascinated with things that might be considered repulsive or embarrassing. I like feeling unsettled, unsure."[11] Some of the lyrics were inspired by her personal experiences. The championship track, for example, was absolutely influenced past one of Harvey's relationships coming to an terminate. When told by an interviewer that "Rid of Me" sounded psychotic, she replied that she wrote the song "at my illest" and added "I was most psychotic" at the fourth dimension.[7] Simply, she made it clear that non all of the lyrics were to be read autobiographically, saying "I would have to be xl and very worn out to have lived through everything I write almost".[7]

The anthology as well includes a cover of the Bob Dylan vocal "Highway 61 Revisited". Harvey'southward mother and begetter, both Dylan fans, suggested she record the track.[13]

Recording [edit]

In the tardily fall of 1992 the trio embarked on a curt U.South. bout. When the bout concluded in Dec they stayed in America to tape their new album at the secluded Pachyderm Recording Studios in Cannon Falls, Minnesota. Harvey chose Chicago musician and sound engineer Steve Albini to record the album.[xiv] Harvey had admired Albini's distinctively raw recordings of bands like Pixies, Slint, The Breeders and The Jesus Lizard.

The recording session took place over a two-calendar week flow, but according to Harvey the majority of the recording was done in three days.[15] Virtually of the songs were played live in the studio. Harvey spoke highly of Albini's recording, stating, "He's the simply person I know that can record a drum kit and information technology sounds similar you're standing in front of a drum kit. It doesn't sound similar it's gone through a recording process or it's coming out of speakers. You tin can feel the sound he records, and that is why I wanted to work with him, 'cause all I ever wanted is for u.s.a. to exist recorded and to sound like nosotros exercise when nosotros're playing together in a room"[fifteen]

She too gave insight into his recording methods, saying "The way that some people recollect of producing is to sort of aid you to suit or contributing or playing instruments, he does none of that. He merely sets upward his microphones in a completely dissimilar way from which I've ever seen anyone ready mics before, and that was astonishing. He'd accept them on the floor, on the walls, on the windows, on the ceiling, twenty feet away from where yous were sitting... He's very practiced at getting the correct temper to get the best take."[16]

The vocal "Man Size Sextet" was not recorded by Albini. It was instead produced by Harvey, Rob Ellis, and Head.

Artwork [edit]

The cover of the album depicts Harvey topless and swinging her drenched hair into the air. The photo was captured past Harvey's friend and photographer Maria Mochnacz, and was taken in Mochnacz's bathroom. Due to the small size of the room, she had to place her camera against the wall contrary Harvey and couldn't expect through the camera'southward viewfinder. The photo was taken in total darkness and only illuminated past the split-second flash.

When the photo was delivered to Island Records, Mochnacz was told that the imperfections in the picture (such as the h2o drops on the wall and the house found) could be removed. She protested this decision, responding, "Information technology'due south supposed to be similar that – Information technology's office of the picture".[17]

Release and reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [xviii]
Entertainment Weekly D[19]
Los Angeles Times [20]
NME eight/10[21]
Pitchfork 10/10[22]
Q [23]
Record Collector [24]
Rolling Stone [25]
The Rolling Rock Album Guide [26]
The Village Voice A[27]

Rid of Me was released on 4 May 1993, and was met with widespread critical acclamation. Tune Maker raved that "No other British creative person is and so aggressively exploring the dark side of human being nature, or its illogically blackness humour; no other British creative person possesses the nerve, let alone the talent, to conjure upwards its soundtrack". Veteran Uk broadcaster John Peel, a supporter of Harvey since the beginning of her career, added "You're initially and so taken aback past what you lot're hearing. Simply you become back again and again and it implants itself on your consciousness."[28] The San Francisco Relate called Harvey "A talent and a atypical vox that demands to be heard."[29] Evelyn McDonnell of Spin wrote that Harvey made it a betoken to "derange expectations and stereotypes".[30] The album besides drew attention from more established musicians. Elvis Costello, for instance, commented that a lot of Harvey's songs "seem to be about blood and fucking", a statement Harvey disagreed with.[31]

"I was surprised at people'south positive reaction to Rid of Me. I liked it but I thought it was a very...hard album. I thought people who had the first album wouldn't like it."

- PJ Harvey[vii]

Steve Albini'south production of the record proved controversial. Critics were divided over whether his recording complemented Harvey's voice or buried it. On the positive side, it was written that "Albini deftly balances heavy feedback and distortion with unexpected repose breaks, making this release more musically diverse- and ultimately more satisfying- than PJ Harvey's debut."[32] Only others considered the recording as well harsh, saying "Steve Albini'due south deliberately rough production leaves everything minimal and rough, as if the whole album were recorded in somebody'south basement, with the drums fix in a bathroom to clatter as chaotically equally possible."[33] Another review called it but "a trial to endure".[34] Critic Stephen Thomas Erlewine tried to reconcile Albini's production with Harvey'south songs. He admitted the album has a "anemic, abrasive edge" that leaves "admittedly no subtleties in the music," but theorizes that Albini'due south recordings "may be the audible apotheosis of the tortured lyrics, and therefore a supremely effective slice of performance art, only it also makes Rid of Me a difficult record to meet halfway."[18]

Harvey herself was pleased with the result. "I do everything for myself primarily," she said, "and I was happy with it. I don't actually mind when people say skilful things near my piece of work because I tend to not give myself praise about anything. But I was really pleased with Rid of Me. For that menstruation of my life, it was perfect. Well, it wasn't perfect merely every bit virtually to every bit I could get at that fourth dimension".[ix] She remained friends with Albini after, finding in him a kindred spirit. "People read things in and make him what they desire him to exist," Harvey said. "He'southward the just other person I know that that happens to besides myself. People have a very specific idea of what I am- some kind of ax-wielding, man-eating Vampira- and I'm not that at all. I'm almost the complete contrary."[35]

The album yielded two singles; "fifty ft. Queenie" and "Human-Size." The music videos for both songs were directed by Maria Mochnacz. "50 ft. Queenie" was named a buzzworthy video past MTV in the Spring of 1993.

Tour [edit]

Harvey and her band toured in the spring and summer of 1993 to support Rid of Me. The tour began in the Great britain in May and moved to America in June. Maria Mochnacz documented aspects of the bout, and her footage was used to create the long-form video Reeling with PJ Harvey (1994). Harvey'due south concert setlist drew from Dry out and Rid of Me, but also highlighted songs that did not appear on either of those recordings. For example, she regularly performed a cover of the Willie Dixon song "Wang Dang Doodle". One reviewer praised Harvey's version and called it "perhaps the definitive version of that song."[7]

In August they finished the tour with a cord of dates opening for U2 during their Zooropa tour. In the autumn the trio started to disintegrate, starting time with the departure of Ellis and so Vaughan shortly afterward. By September Harvey was performing every bit a solo artist.[36]

Accolades [edit]

Rid of Me entered the UK album charts at number three and rapidly went silver, and enjoyed a Top xxx hit in the single "50 ft. Queenie". In the U.S. information technology generated major college-radio airplay and expanded her growing fan base of operations. It also won considerable disquisitional acclamation and featured in various Top 10 anthology-of-the-yr lists in respectable press, like The Village Voice, Spin, Melody Maker, Voice and Select. Spin gave information technology a rare ten out of ten review rating. Rid of Me was shortlisted for the 1993 Mercury Prize, simply lost to Suede. If anything its critical stature has grown over the years—Rolling Stone selected it as one of the Essential Recordings of the 90s, and in 2005, Spin ranked it the 9th greatest anthology of 1985–2005[37] later on it had ranked information technology but the 37th greatest anthology of the 90s after To Bring Y'all My Honey at number iii.[38] In 2003, the album was ranked number 405 on Rolling Rock mag'south list of the 500 greatest albums of all time;[39] the listing's 2012 edition had it ranked 406th.[forty] In 2011, Slant Magazine ranked Rid of Me equally the 25th greatest album of the 90s.[41] In 2014, the album placed tenth on the Alternative Nation site's "Top 10 Underrated 90's Alternative Stone Albums" list.[42] The championship runway was ranked #194 on the 2021 version of Rolling Stone'due south 500 Greatest Songs of All Time.[43]

Track listing [edit]

All tracks are written by Polly Jean Harvey, except "Highway 61 Revisited", written by Bob Dylan. All tracks produced past Steve Albini, except "Man-Size Sextet", produced by PJ Harvey, Rob Ellis and Caput.

Side 1
No. Title Length
i. "Rid of Me" four:28
2. "Missed" 4:25
3. "Legs" 3:40
iv. "Rub 'til Information technology Bleeds" v:03
5. "Hook" iii:57
6. "Human-Size Sextet" two:xviii
Total length: 23:51
Side two
No. Championship Length
7. "Highway 61 Revisited" (Bob Dylan embrace) 2:57
8. "50ft Queenie" 2:23
9. "Yuri-Yard" three:28
10. "Man-Size" 3:16
11. "Dry" 3:23
12. "Me-Jane" 2:42
13. "Ophidian" 1:36
14. "Ecstasy" 4:26
Total length: 24:11 (48:02)

Personnel [edit]

All personnel credits adapted from Rid of Me 's liner notes.[44]

PJ Harvey Trio

  • PJ Harvey – vocals, guitar, organ, cello, violin, producer (6)
  • Steve Vaughan – bass
  • Rob Ellis – drums, percussion, backing vocals, system, producer (six)

Technical

  • Steve Albini – producer, engineering, mixing
  • Head – producer, engineer (6)
  • John Loder – mastering

Design

  • Maria Mochnacz – photography

Charts [edit]

Certifications [edit]

References [edit]

  1. ^ Smith, Troy Fifty. (xvi October 2019). "75 best albums by Rock and Roll Hall of Fame snubs". Cleveland.com . Retrieved two June 2021.
  2. ^ Mueller, Andrew. "PJ Harvey - Let the England Milk shake". Uncut. Archived from the original on 12 November 2014. Retrieved 12 November 2014.
  3. ^ Terich, Jeff (thirty April 2018). "The punishing primal scream of PJ Harvey'south Rid of Me". Treble . Retrieved two June 2021.
  4. ^ Thompson, Stephen (29 March 2002). "PJ Harvey: Is This Desire?". The A.Five. Club . Retrieved 2 June 2021.
  5. ^ Maestri, Cathy (15 July 1993). "PJ Harvey is Taking No Prisoners". The Press-Enterprise.
  6. ^ Rees, Dafydd; Crampton, Luke (1999). VH1 Rock Stars Encyclopedia. London, England: DK Developed. ISBN978-0789446138.
  7. ^ a b c d e Sullivan, Carolyn (one October 1993). "Good Golly Miss Polly; Screeching Harridan? Feminist Heroine? One Thing's Certain: Polly Jean Harvey'southward tortured song-tantrums are a far cry from Helm Beefheart". The Guardian.
  8. ^ Describing her eating habits in the Guardian article, Harvey said "I wasn't being healthy when I lived in London. I wanted to take complete command of myself, and I thought, in my twisted mind, that I could not eat for three days and even so function"
  9. ^ a b Fay, Liam (xix April 1995). "Polly Unsaturated". Hot Press . Retrieved sixteen Baronial 2010.
  10. ^ Reynold, Simon and Joy Printing, "The Sex Revolts: Gender, Rebellion, and Rock 'due north' Scroll, Harvard University Press, 1995. p. 339
  11. ^ a b Sandall, Robert, "But Like A Woman", The Sunday Times (London), Features section, 2 May 1993
  12. ^ Giles, Jeff (iii May 1993). "Move Over Tarzan, PJ Harvey is Back". Newsweek . Retrieved 19 August 2010.
  13. ^ Cavanaugh, David. "Nemesis in a Ruby Dress", The Contained (London), Mag section, p. 30, 25 February 1995.
  14. ^ Albini does not like to exist credited equally "producer" on the albums he records. He prefers the term "sound engineer" or asks to be given a "recorded by" credit.
  15. ^ a b Archived at Ghostarchive and the Wayback Machine: "Advent on MTV's 120 Minutes, interviewed past Lewis Largent, June xx, 1993". YouTube . Retrieved 30 Baronial 2010.
  16. ^ Quoted from Reeling With PJ Harvey, Vision Video Ltd., 1994
  17. ^ "Maria Mochnacz official website". Retrieved 22 August 2010.
  18. ^ a b Erlewine, Stephen Thomas. "Rid of Me – PJ Harvey". AllMusic . Retrieved 19 November 2015.
  19. ^ Thomas, Dave (7 May 1993). "Rid of Me". Entertainment Weekly . Retrieved 5 September 2012.
  20. ^ Hilburn, Robert (2 May 1993). "PJ Harvey's Impassioned Render". Los Angeles Times . Retrieved half dozen June 2010.
  21. ^ "PJ Harvey: Rid of Me". NME: 29. 23 April 1993.
  22. ^ Berman, Judy (16 September 2018). "PJ Harvey: Rid of Me". Pitchfork . Retrieved xvi September 2018.
  23. ^ "PJ Harvey: Rid of Me". Q (30th anniversary special ed.) (361): 110. 2016.
  24. ^ Rigby, Paul (September 2008). "PJ Harvey – Rid of Me". Record Collector (353). Retrieved 11 May 2017.
  25. ^ Kot, Greg (ten June 1993). "Rid of Me". Rolling Stone. No. 658. p. 68. Retrieved 18 Oct 2011.
  26. ^ Hoard, Christian (2004). "PJ Harvey". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). New York: Simon & Schuster. pp. 368–69. ISBN0-7432-0169-8 . Retrieved 18 October 2011.
  27. ^ Christgau, Robert (1 June 1993). "Consumer Guide". The Hamlet Voice . Retrieved xv Nov 2011.
  28. ^ Duffy, Thom (6 March 1993). "Eager Fans Look Sophomore Disc by PJ Harvey". Billboard. Vol. 105, no. 10. p. one. Retrieved 1 September 2010.
  29. ^ Snyder, Michael (14 July 1993). "PJ Harvey Wails Musical Anguish". San Francisco Chronicle. p. D1.
  30. ^ McDonnell, Evelyn (May 1993). "PJ Harvey: Rid of Me". Spin. 9 (two): 78. Retrieved 21 October 2011.
  31. ^ "Lips, Hips, Tits, Power; PJ Harvey, Björk, Tori Amos". Q. May 1994. Archived from the original on 27 July 2011. Retrieved 1 September 2010.
  32. ^ Romandetta, Julie (seven May 1993). "Brit vocalist Polly Harvey pours out her rage in a furious punk sound". The Boston Herald. Scene section, p.S14.
  33. ^ Dollar, Steve (15 May 1993). "PJ opens a wound and lets information technology bleed". The Atlanta Journal-Constitution. Leisure section, p.26.
  34. ^ Gilbey, Ryan (x March 1995). "Beyond the art of darkness; PJ Harvey/Tricky Cambridge Corn Commutation". The Independent. London. Music/Pop section, p. 31.
  35. ^ DeRogatis, Jim (9 June 1995). "Harvey Prefers Practicing to Preaching". Chicago Sun-Times. Weekend section, p.5.
  36. ^ On 24 September 1993 Harvey appeared on The Tonight Testify and performed the song "Rid of Me" using just her guitar and vox.
  37. ^ Ganz, Caryn (July 2005). "100 Greatest Albums 1985-2005: 9 PJ Harvey Rid of Me". Spin. 21 (7): 71. Retrieved 21 Oct 2011.
  38. ^ Weisbard, Eric (September 1999). "The ninety Greatest Albums of the '90s: 37 PJ Harvey Rid of Me". Spin. fifteen (ix): 138. Retrieved 21 October 2011.
  39. ^ Levy, Joe; Steven Van Zandt (2006) [2005]. "405 | Rid of Me - PJ Harvey". Rolling Rock's 500 Greatest Albums of All Time (third ed.). London: Turnaround. ISBN1-932958-61-4. OCLC 70672814. Retrieved 25 February 2006.
  40. ^ "500 Greatest Albums of All Time". Rolling Stone. 31 May 2012. Retrieved 4 September 2019.
  41. ^ "Best Albums of the '90s: 25. PJ Harvey, Rid of Me". Camber Magazine. fourteen February 2011. Retrieved 22 February 2011.
  42. ^ Prato, Greg (two October 2014). "Height 10 Underrated ninety's Alternative Rock Albums - AlternativeNation.cyberspace".
  43. ^ "The 500 Greatest Songs of All Time". Rolling Stone. 15 September 2021.
  44. ^ Rid of Me (Media notes). PJ Harvey. Island Records. 1993. 514 696-2. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  45. ^ "Official Albums Chart Tiptop 100". Official Charts Visitor. Retrieved 8 December 2021.
  46. ^ "PJ Harvey Chart History (Billboard 200)". Billboard. Retrieved 8 December 2021.
  47. ^ "PJ Harvey Nautical chart History (Heatseekers Albums)". Billboard. Retrieved 8 December 2021.
  48. ^ "Ultratop.be – PJ Harvey – Rid of Me" (in Dutch). Hung Medien. Retrieved 8 December 2021.
  49. ^ "Ultratop.be – PJ Harvey – Rid of Me" (in French). Hung Medien. Retrieved viii December 2021.
  50. ^ "Offiziellecharts.de – PJ Harvey – Rid of Me" (in German). GfK Entertainment Charts. Retrieved 28 Baronial 2020.
  51. ^ "Vinyl 2020 uke 35" (in Norwegian). topplista.no. 28 Baronial 2020. Retrieved 17 March 2021.
  52. ^ "Swisscharts.com – PJ Harvey – Rid of Me". Hung Medien. Retrieved 2 September 2020.
  53. ^ "full Official Chart History". Official Charts Visitor. Retrieved viii December 2021.
  54. ^ "British album certifications – PJ Harvey – Rid of Me". British Phonographic Industry. Retrieved 9 Oct 2021.

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